Showing posts with label page 17. Show all posts
Showing posts with label page 17. Show all posts

Friday, December 14, 2012

Watchmen: Chapter XII - page 17


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Panel 1:  The meta-commentary continues from Veidt, as he states that the new world he hopes usher in does not need “…obvious heroism, making [Dreiberg’s] schoolboy heroics redundant…”

Panels 2-4:  The remarks by Veidt in panels 2 and 3 – “…usher in an age of illumination…” which will lead to humanity turning “…instead towards the [light]…” – is also a commentary on what is occurring in these panels, as Veidt and the others turn, in panel 3, toward the light being emanated by Dr. Manhattan, who has quickly reincorporated himself just outside the window of the main hall of Karnak.

Saturday, November 17, 2012

Watchmen: Chapter XI - page 17


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Panel 7:  Note that Veidt – who claims a great kinship with the ancient king of Macedon, Alexander the Great – only asks to hear Rorschach’s and Nite Owl’s concerns once they are kneeling to him (as if to a king).

Thursday, October 18, 2012

Watchmen: Chapter X - page 17


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Panel 1:  where we see the Pyramid Deliveries boat docked at the secret island where Max Shea and the other missing persons from the New Frontiersman article in Chapter VIII’s back-matter have been working since their disappearances.  And, as with most everything related to Veidt, the color of the Pyramid Deliveries ship is purple (the color of royalty).

Panel 2:  Norm Leith and Lin Paley are two of the other missing persons mentioned in the New Frontiersman article. 

Panel 3:  Furnesse was also mentioned in the same article. 

Another important bit of information is the fact that a human brain was used for the “special effect” mentioned by Shea.  This is an integral part of Veidt’s overall plan.

Panel 4:  The “shipwrecked voyager” that Hira Manish asks about in this conversation is the protagonist from the Black Freighter comic we have seen throughout Watchmen.  Shea’s response to the question of whether the voyager got off the island – “Well, yes, but…” – is a foreboding answer and foreshadows what is to come for him and the others who have been working secretly on this island.

Monday, September 17, 2012

Watchmen: Chapter IX - page 17



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Panel 2:  Olympus Mons is Latin for Mount Olympus, which was the mythical home of the Olympian gods in Greek times, and, rising to a height of nearly 14 miles, it stands as the tallest mountain on any planet of our solar system.

Also of note in this panel (reiterated in a slightly different fashion in subsequent panels) is the fact that “the details are vague” to Dr. Manhattan, with regard to the images of the near future he recounts to Laurie.  The fact that Dr. Manhattan cannot see these details, despite his attempts to rationalize it away, is significant and foreshadows that much more is going on than is immediately evident.

Panels 2-3:  Yes, all of these things Dr. Manhattan relates will come to pass. But we will need to experience them in their full context to fully appreciate what he sees.

The most noteworthy remark made here is what appears to be a throwaway line:  “There’s some sort of static obscuring the future…” for which Dr. Manhattan provides a possible reason, “…the electromagnetic pulse of a mass warhead detonation might conceivably cause that…”  This possibility is deftly planted into readers’ minds, in order to distract us from the true nature of this static.

Saturday, August 18, 2012

Watchmen: Chapter VIII - page 17

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Panel 1:  where the Big Figure’s henchman asks his boss if he “hear[s] that sorta screaming, like a siren…” which would be the aforementioned screamers of Archie, the owlship.

Panel 3: Again, note the detail that Dave Gibbons puts into his artwork – most importantly, the frayed covering for the wire that attaches the arc welder to its power source. 

Panel 4:  The comment from Big Figure’s henchman that Rorschach is going to be “smoked meat” foreshadows exactly what is going to happen to him two panels following.

Panels 6-9:  Note the red hues once again incorporated by John Higgins – not only signifying the death of the Big Figure’s henchman at the hands of Rorschach, but also foreshadowing Big Figure’s demise at those same hands.

And the dropped cigar – fallen into the edge of the toilet water, which will extinguish it – transitions directly to Laurie’s dialogue on

Tuesday, July 17, 2012

Watchmen: Chapter VII - page 17

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Panels 5-7:  The dream imagery of Dan and Laurie being decimated by the explosion juxtaposed against Dan lightly kissing Laurie’s hand seems to foreshadow, through its symbolism, that Dan is leaving his lover to go be the hero, which is a common motif of adventure fiction.

Panel 10:  Laurie’s sleepy remark to Jon is yet another example of Moore’s attention to detail, as well as human nature.   Having been in such a long relationship with Dr. Manhattan, and hardly even begun one with Dan, it is only natural that she would call for Jon in her sleep, which she has been doing for years at this point in the story.

Monday, June 18, 2012

Watchmen: Chapter VI - page 17

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Panel 2:  Kovacs’s reply to the question from Dr. Long, “How are you today?” is another example of his distinct perspective, as he answers, “In prison.”

Panel 3:  Again, the “butterfly” Rorschach blot is here not only for the narrative, but it also accentuates the metamorphosis of these two men.  In this next scene, Dr. Long will tumble even deeper into the abyss, while we, and the good doctor, will finally come to understand what it was that birthed Rorschach.

Wednesday, May 16, 2012

Watchmen: Chapter V - page 17

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Panel 1:  Again, Moore plays with the two narratives as the “Black Freighter” caption says, in part, “my enemies’ hideous banner flapping dismally in my dreams,” while the news vendor describes the newspapers front page as “a nightmare.” 

And the image in this panel is of the Black Freighter’s flag, which is a skull and crossbones on a black field, another symmetrical image.

Panel 2:  More narrative juxtaposition as the news vendor talks about the murders and murder attempts featured in the paper (“somebody chops up their kids, somebody else shoots at Adrain Veidt”) while the “Black Freighter” caption reinforces this commentary with its statement that a “deaths-head banner; it flies above us all.”

Note in the imagery that the back cover on the “Black Freighter” comic the younger Bernie is reading sports an advertisement for ‘The Veidt Method,’ similar to the Charles Atlas ads commonly found in comic books of the past.  We will see the full text of the Veidt method in a later prose piece, but the general substance of the ad is that Veidt can help people discover their inner potential through his method of exercise and meditation.  “You too can be a superhero.”

Panel 3:  The “Black Freighter” commentary that the “head nailed to the [Black Freighter]’s black prow, those heads are our heads,” plays against the idea put forth by the news vendor that, “if somebody wants to off a saint like Veidt, what chance do any of us got?”  Basically, these both say that “we’re all in this together.”

Panel 4:  In this panel, the news vendor discusses all the good works Adrian Veidt has done in public, while the “Black Freighter” caption states, “we exist upon the whim of murderers,” which is a commentary upon Veidt’s secret plan and also foreshadows the end of the book.

The newsvendor’s statement, “[Veidt] revealed his name like he had nothing to hide [emphasis mine],” is also another nod to Rorschach when juxtaposed with the imagery in the background (Kovacs walking along with his “End is Nigh” sign) whose secret identity is passing through this panel, keeping it hidden in plain sight.

Also, the fallout shelter sign in the background is another reminder of the doom hanging over this entire world.

Panel 5:  The news vendor’s statement that “no wonder people go crazy” is a commentary upon the sailor from the “Black Freighter” in this panel.

Panel 6:  Moore goes one better with this panel as the news vendor’s comment, “you never know what’s bearing down on you,” does double duty.  First, it echoes the “Black Freighter” caption, which reads, “beneath my raft, something moved,” signaling the sharks about to attack the sailor in the following panels.  But, it is also a commentary upon the reality – as well as a foreshadowing of the end of this chapter – that nobody knows Kovacs is Rorschach, as we see his hands carrying “The End is Nigh” sign in the foreground. 

Also note, in the background – on the news vendor’s corner – is the Institute for Extraspatial Studies, which will become very important later in this story.

Panel 7:  The news vendor’s statement, “all we see is what’s on the surface,” is a commentary not only upon the doomed sailor’s initial thought that maybe the corpses upon which his raft floats were trying to escape into the air – his inability to see the sharks beneath the surface and his frail psyche forming this idea – but it is also a commentary upon Moore’s audience, who – especially upon a first reading of Watchmen – might only see the surface story and miss a lot of the deeper layers.  More specifically to that final point, it would also be a commentary upon the fact that many readers probably do not see – in the background – all the clues that he’s laid out to reveal the identity of Rorschach. 

And although it could not have been intended by Moore, this statement that we only see the surface is also a commentary upon the fervor surrounding “grim ‘n gritty” characters that followed the success of Watchmen and Dark Knight in 1986, as creators and others within the medium took these more adult surface elements and transposed them to the comics that followed – believing this new “relevance” with adult actions and themes to be the reason for these books’ success – instead of understanding it was the storytelling and the density and the writing and creativity that launched these two books into the hands of so many readers.

Panel 8:  The news vendor says, “I bet there’s all kinda stuff we never notice” as Kovacs – with his “End is Nigh” sign leaning against the trash can – goes through his mail drop (as Rorschach told Moloch) again, giving yet another clue as to Rorschach’s identity. 

It also echoes the “Black Freighter” caption slightly as the sailor is unable to see things clearly in the dark, believing – or hoping – that the shadowy figures approaching were boats to rescue him.

Panel 9:  The news vendor’s comment continues from the previous panel finishing the idea that we miss stuff “until it’s too late,” which again comments upon the reality of the doomed sailor who understands too late that there are no boats approaching.  They are fins, shark fins.

Also, these two fins approaching the sailor on the raft – who is reflected in the ocean – is a visual transition to

Wednesday, April 18, 2012

Watchmen: Chapter IV - Page 17

PAGE 17

Panel 1:  The fact that Dr. Manhattan has chosen to relieve himself of a good portion of his suit, leaving him with something akin to a gymnast’s leotard, is a sign that he is moving farther away from humankind. 

Panel 3:  As noted above, Laurie – in 1985 – has the same earrings that Dr. Manhattan gave to Janey in 1963. 

Panel 8:  Dr. Manhattan’s comment that he is “standing still” is a remark on how he no longer ages, but is also a statement to the fact that, in this panel, he is standing still while staring at the stars. 

Sunday, March 18, 2012

Watchmen: Chapter III - page 17

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Panel 2:  If we were unsure as to the political bent of the “New Frontiersman,” the graffiti on the ad in the background tells us that it is a right-wing, conservative paper.  The ad, with graffiti italicized, reads:  “New Frontiersman In Your Hearts, You Know It’s Right Wing.”  This also refers to 1964 conservative Presidential candidate Barry Goldwater, who used the phrase, “In your hearts, you know it’s right,” as his campaign slogan.  A politician favoring the nuclear option – at a time when the full ramifications weren’t truly known – the use of Goldwater’s slogan as an ad for a major paper in the world of the Watchmen adds another layer to the permeating symbolism that the end times are nigh.

Panel 9:  Hollis Mason’s remark, “The whole world will know soon enough,” in reference to Dr. Manhattan’s altercation on television, foreshadows Russia’s next move, which is to invade Afghanistan, something we see at the end of this issue.