Thursday, March 1, 2012

Watchmen: Chapter III - Thematic Overview

CHAPTER III:
The Judge of All the Earth

Thematic Overview:
In chapter II, Moore & Gibbons focused on death.  As a metaphor, it was a way for them to “clean the slate” and propel the narrative through into new territory.  The ghost of Eddie Blake hangs over everything, but we watched the dissolution of the Minute Men, the dissolution of the Crime Busters, and the dissolution of the Watchmen.  Each one of these incidents was not only an ending, but also opened doors to a new reality – whether Ozymandias’s plan to save the world or Rorschach’s one-man war against depravity.  Like those passing over the River Styx, the previous chapter was a path into a new world.

Following these ontological deaths, we enter chapter III, which sees the “dawn of a new day.”  This new reality is summed up nicely by Rorschach’s alter-ego – Walter Kovacs, the man with the sign stating “The End is Nigh” – when he tells Bernie the newsvendor that “[The end of the world]’ll happen today.  I’ve seen signs.”  Though everyone else seems oblivious to it, Rorschach is correct.  The end of the world as we know it will end on this day within the world of Watchmen.  But it won’t be with a bang.  It will be in the tiny moments, the bits that seem insignificant, but which combine like the tiny flakes of snow pushed ahead of an avalanche, gathering momentum until nothing escapes its fury.

There are many bits in this chapter that accentuate the overall theme of the “dawn of a new day.”  We first encounter it when the frustration Laurie has been feeling in her relationship with Jon Osterman, better known as Dr. Manhattan, comes to a head as they are trying to be intimate.  She storms out, unable to talk to Jon, and only returns after Jon has left Earth for Mars. (a new reality for this couple)

Laurie looks for solace from one of the few who could understand her distinct situation, Dan Dreiberg, the second Nite Owl.  Their meeting results in a walk through New York that ends in a vicious fight as a group of Knot-Tops attack Laurie and Dan, putting these two in the situation of having to use their superhero training to defend themselves – the first time they’ve allowed themselves to let loose with their martial expertise, which foreshadows their return as Silk Spectre and Nite Owl. (a new reality for them)

Jon Osterman – Dr. Manhattan – is a guest on a television talk show.  It is to be his first live question and answer session, where Dr. Manhattan will take questions from the TV audience.  When one reporter begins probing into the possibility that Dr. Manhattan caused those close to him to die of cancer – his first girlfriend, Janey Slater, Wally Weaver, who was known as “Dr. Manhattan’s buddy,” and the former criminal known as Moloch – Dr. Manhattan teleports everyone out of the studio and eventually makes his way to the desert where he was born just before teleporting himself off to Mars. (a new reality for him and for the world)

And this exodus by the most powerful man on the planet – and the “ace-in-the-hole” of the United States as far as military defense – results in the Russians invading Afghanistan.  Having been held in check for so long by Dr. Manhattan’s apparently limitless power, the Kremlin is poised to take advantage of this change in the status quo.  The Cold War, halted for so long by Dr. Manhattan, has been initiated.  The world of Watchmen is now on the brink of a nuclear holocaust, and there seems to be nobody able to stop it. (a new reality for the world)

The new world into which these characters have been thrust is envisioned unassumingly by Dave Gibbons in the first panel of page 22, with the sun rising over the skyscrapers of New York City.  It is the dawn of a new day.  But will it be a good day, or a bad day?

Wednesday, February 29, 2012

Watchmen: Chapter II - complete annotations


CHAPTER II:
Absent Friends


Thematic Overview:
This chapter centers on the funeral of Edward Blake, also known as the Comedian.  As such, this chapter centers around the theme of death – both real and ontological.  Ontological death is best described known as the phenomenon of “world collapse,” which occurs when one experiences an incident so jarring to his/her personal reality that the thing which gives one’s life, or world, meaning – whether God or something else – no longer applies.  Faith is extinguished, pushing one into a “new world” where a revised ontological reality must established.

Other than the most obvious – that of Blake’s funeral – there are a number of references to death within this chapter.  In the opening scenes, we have Laurie, Silk Spectre II, visiting her mother, Sally Jupiter, who was the first Silk Spectre.  As they talk, we can perceive them as mirror images of one another, if seen through a cracked mirror.  Laurie, a young, active woman who will return to superheroics later in the book, is looking at her future self – a weary, heartsick woman whose years of crime fighting are far in the past.  Laurie’s mother represents the death of Laurie’s current reality, something Sally tries to explain to her daughter, even if Laurie refuses to see it.

Other references of death can be seen in the flashback sequences, all of which seem to represent this theme.  Eddie Blake’s attempted rape of Sally Jupiter represents the loss of innocence for these heroes – most of whom seem to have a naiveté that belies the seriousness of their work.  This recollection also appears to be a harbinger of the dissolution of the Minutemen.  We also see the first meeting of the Crimebusters, the supergroup that followed the Minutemen, which also appears to be the last meeting of the Crimebusters.  And, in Vietnam, we see Blake kill the Vietnamese woman he impregnated after she cut his face.  Interestingly, all of these deaths were effected by Eddie Blake, the man for whom the funeral is being held. 

The theme of death – whether literal or metaphorical – is important in Watchmen.  For many, death represents an ending.  Certainly, that is true.  But all of the deaths in this chapter are a way to metaphorically clean the slate.  Each death also initiates a new status quo – the dissolution of the Crime Busters is where Ozymandias gets the inspiration for his plan to save mankind, while the Keene Act provides a doorway into a new reality with outlaw vigilantes such as Rorschach, authorized government operatives like the Comedian and Dr. Manhattan, and retired heroes – Dan Dreiberg and Laurie Juspeczyk.  This chapter sees Moore & Gibbons leaving the old reality of this world behind as they forge ahead into a brave new world, similar to the manner in which Watchmen, along with Dark Knight and Maus, became a demarcation line between “old” comics and “new.”  

Watchmen: Chapter II - Page 28

PAGE 28

Panel 2:  We discover the answer to Detective Fine’s question from Chapter I.  Blake does not black out before hitting the pavement.

Panel 3:  The caption “curtains” is on a scene that, colloquially, fades to black – though in this case it fades to red – as if a curtain were being dropped on the end of a Broadway show, representing the bloody end of the Comedian’s life.  It also transitions into

Panel 4:  as we have a close up shot of the red roses.  The rain on the roses almost looks like tears. 

Panel 6:  The fact that Rorschach takes a rose for his lapel exhibits more humanity than we have seen from him thus far, and gives us insight into the fact that he had great respect for the Comedian.

Tuesday, February 28, 2012

Watchmen: Chapter II - Page 27

PAGE 27

Again, this page of flashbacks on the Comedian’s life along with the similar panels from the previous page are all bathed in shades of red, symbolizing the bloody life of Edward Blake and his equally bloody death.

Panel 1:  “He saw the cracks in society” refers to the cracks in the mirror behind Blake’s head as Ozymandias smashes him into it. 

Panel 2:  “He saw the true face of the twentieth century” refers to Blake’s scarred face, which became an outward sign of the ugliness he carried within him.

Panel 3:  “. . . life seems harsh and cruel” is overlaid on a scene where Blake is on the floor with blood flowing from his mouth as he is being kicked hard in the ribs.

Panel 4:  “. . . feels all alone in a threatening world” is a comment on this scene of the Comedian going off, alone if need be, to subdue the rioters during the police strike in 1977.

Panel 5:  “That should pick you up” is overlaid on the image of Blake being lifted by Ozymandias, just before he is thrown out his window.  Also, the mention of the “great clown Pagliacci” could be seen as a reference to the smiley face button, which is now spattered with blood, or the bloody face of the “Comedian” – both seen as symbols of Pagliacci’s sadness, which is the crux of the joke Rorschach is writing in his journal.

Panel 6:  “Man bursts into tears” is over the panel where the Comedian burst into tears in Moloch’s apartment.

Panel 7:  The punchline, “I am Pagliacci” is unexpected and sad, similar to this scene in which Blake is thrown out his apartment window.

Monday, February 27, 2012

Watchmen: Chapter II - Page 26

PAGE 26

Panel 4:  “We never die in bed” is overlaid on the scene where the Comedian is sitting watching television just before he is murdered.

Panel 5:  “Some animal urge to fight and struggle . . .” not only refers to King Mob’s ape mask in this picture, but, more importantly, to the rape scene we see just off-panel – highlighting the Comedian’s “animal urge” and Sally Jupiter’s “struggle.”

Panel 6:  “Others bury their head between the swollen teats . . .” is a comment on the Comedian’s head falling into the picture of a nude woman – his head falling “between [her] swollen teats” as he is beaten.

Panel 7:  “. . .and the future is bearing down like an express train” is in reference to the symbolic torching of the United States when the nuclear bombs fly, which the Comedian was talking about when he lit Captain Metropolis’s map with his lighter in this flashback scene.

Sunday, February 26, 2012

Watchmen: Chapter II - Page 25

PAGE 25

Panel 1:  The name of the act performing at the Burlesk theatre is “Enola Gay and the Little Boys” which is a reference to the first atomic bomb dropped on Hiroshima in WWII (nicknamed Little Boy) and the nickname of the B-29 bomber that dropped it (Enola Gay).  This also ties into Ozymandias's theories in Chapter X about increased warlike imagery in times of international tension – evidenced by the news headlines about the Russians not tolerating America in Afghanistan.

Panels 2-7:  It is again interesting to compare Rorschach’s journal entries, which are darkly poetic, with his conversational dialogue from the previous page, which comes across as stilted and direct. 

Panel 6:  Rorschach’s comment, “nothing is insoluble” also refers to his ability to easily pick the lock to the cemetery gate.

Panel 7:  “Nothing is hopeless.  Not while there’s life.”  These statements overlaid on a scene of Rorschach walking into the cemetery where Blake is buried is another example of the ironic juxtaposition Moore & Gibbons utilize in Watchmen.

Saturday, February 25, 2012

Watchmen: Chapter II - Page 24

PAGE 24

Panel 4:  Laetril (or Laetrile) is a real-world drug chemically related to amygdaline, a substance found naturally in the pits of apricots and various other fruits.  It was marketed as a cancer cure but ultimately found to be fraudulent.

Panel 5:  The fact that Moloch has cancer will become important later in the series, as this will be part of the basis for publicly indicting Dr. Manhattan.